osgood
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Post by osgood on Mar 3, 2020 12:45:10 GMT
Both tracks rely more on the groove and the arrangement than on an actual song, but both succeed in making a pleasant noise, and in fact I played them twice. B just edges for me because of the nice variations in the background, although I have not made my mind about the vocals at the end being genius or ridiculous. In any case
B
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Post by fonz on Mar 4, 2020 18:47:29 GMT
Ha! I love those synth sounds in A. Reminds me of some of the fusion stuff I love, but with a flute soloing away, rather than a guitar or violin.
B sounds like some standard soul thing, which is less interesting to me.
A
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Post by Sneelock on Mar 7, 2020 7:58:49 GMT
B by virtue of that 70’s cop show car chase sort of groove.
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Deleted
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Post by Deleted on Mar 7, 2020 8:27:30 GMT
Both tracks rely more on the groove and the arrangement than on an actual song, but both succeed in making a pleasant noise Yes. Bobbi and Joan Armatrading - separated at birth, or what? No. I liked both. But I like the fact that the flute comes in sooner in B and the track is more driven by it. Takes more of a lead melody (such as there is) role. B
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Post by oleandermedian on Mar 7, 2020 17:39:52 GMT
It was a matter of time before Bobbi Humphrey popped up – not that that’s a bad thing. B’s good too though but
A
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rayge
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Post by rayge on Mar 9, 2020 13:52:01 GMT
Neither of these appealed greatly, with more than a whiff of the dreaded 'fusion' in both. I don't deplore them, they just don't affect me at all. Because there's more synths and less funk wah wah bollocks,
A
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Post by neige on Mar 10, 2020 18:03:56 GMT
like both, but A has the edge, just.
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