rayge
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Post by rayge on Mar 21, 2020 12:52:23 GMT
A Donald Byrd - Cristo Redentor
B Thelonious Monk - Criss Cross
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Deleted
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Post by Deleted on Mar 21, 2020 15:10:24 GMT
I may edit in some reasoning at some stage, but
A very easy B
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Post by Crunchy Col on Mar 21, 2020 17:35:01 GMT
Both great, but I prefer
B
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Post by Deleted on Mar 21, 2020 20:27:44 GMT
B has more life to it..Vote B
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toomanyhatz
god
I've met him/her. He/she's great!!
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Post by toomanyhatz on Mar 22, 2020 2:04:02 GMT
I love B, but A is a brave choice I want to reward.
I may change my mind and edit, but since B will likely win anyway, I doubt it.
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Post by DarknessFish on Mar 23, 2020 13:04:27 GMT
Hmm, jazz goes gospel, or vice-versa. These Blue Note ties are among the more interesting in this comp, there's some non-standard picks, many of them interesting, such as this. Like a New Orleans funeral, but of someone who could really afford the quality band. It does feel properly spiritual, so you can't deny the artist has got across the intended feel.
B is less non-standard, and a bit too be-boppy for me. I know it's just dated a touch, but this is too elevatory for me. Easy listening is never easy.
A
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Post by Deleted on Mar 26, 2020 15:44:40 GMT
You could accuse A of getting stuck on a theme and I wasn't wild about the vocals, however the central bluesy interplay between trumpet, sax and piano ( My man Herbie) is lovely and warm.
I've always struggled to really get Monk. My loss I'm sure, but there's an intangible quality about his music that always has me looking for a way in. This one washed over me rather I'm afraid.
A
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Sneelock
god
hey Daddy-O. I don't wanna go.
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Post by Sneelock on Mar 26, 2020 15:51:14 GMT
I'm over familiar with Harvey Mandell's version of A so this is an easy call for B
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fange
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Listening to long jazz tracks
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Post by fange on Mar 27, 2020 11:40:22 GMT
Superb tie. For me, this is a great example of how diverse and revolutionary BN could be without compromising one bit of their popular appeal. Monk during this period is pure jazz punk - taking on the established sounds of the time with tunes that were full of in-your-face energy and attitude, hard and fast and uncompromingly HIM. And while that Byrd record may sound dated now in hindsight, at the time it was innovative as anything. The mix of African-American gospel elements with Latin/Brazilian sounds - Duke Pearson was one of the GREAT jazz writers and arrangers of the 60s - still sounds incredible. It is not its fault it inspired thousands of mediocre copies.
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Post by oleandermedian on Mar 29, 2020 21:57:49 GMT
I really like both of these.
A
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Post by osgood on Mar 30, 2020 14:32:28 GMT
Yep, great tie. But this Monk piece is an old have of mine and I cannot deny it. With apologies to A
B
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Post by Deleted on Mar 31, 2020 11:54:04 GMT
Good picks. It's been quite a strong round all together, this one.
A -- really lovely mood setting, although the slight change in pace around the 5 minute mark seemed a bit too welcome. B -- spirited interplay between Monk and Rouse on the sax. A joy. Played it a second time.
B.
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rayge
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Post by rayge on Apr 7, 2020 14:03:58 GMT
I said in an earlier round that there were some Jazz greats I just didn't get – I think I was referring to Mingus, but Monk is in the same category, which is strange, as I'm very fond of piano. So I gave A a listen first, and I thought it was lovely. I listened dutifully to B, too, but it's definitely A
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Post by neige on Apr 8, 2020 19:29:19 GMT
Difficult choice, but A's closer to my heart today.
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